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OUT
ON FRATERNITY ROW 2 |
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Brotherhood Revealed |
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Explore
these resources to assist in your writing process. |
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Remember that these resources are meant as guides,
not as steadfast rules. |
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Six
Basic Writing Tips |
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TIP
#1: Let it Flow |
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Writing
your first draft should be all about you. Do not
spend time editing your draft as you write, just
let it flow. The first draft should allow you to
put your words on paper without judgment. Such
a process will help you develop a shell to expand
and refine. You will need to rewrite, rewrite, rewrite...but
let that first draft flow out and be a guide for
what you want to share with the reader. |
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TIP
#2: The Message |
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The
reason for telling a story, your passion and your
desire must be evident in your words. Your message
may not come out in your first draft; however, it
is important that a reader be able to understand
your reason for telling the story. Concentrate on
your message when you rewrite. Your passion and
desire will make your story come alive. |
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TIP
#3: Setting the Scene |
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The first paragraph should communicate the setting.
Some stories will go through the time span of the
pledging process. Other stories will focus on a
certain act or experience. Still other stories may
cover from the time of joining the fraternity until
today. It is important that your first paragraph
set the mood, the time and the place. You should
do this in a creative way to catch the reader's
attention for the rest of your story. An example
of this is in Robert L. York Jr. story "My Fraternity
Closet" from Out on Fraternity Row: Personal
Accounts of Being Gay in a College Fraternity,
as follows: |
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Sean's
story made the front page of the newspaper.
The headline read college student commits
suicide on playground. Sean knew he had lost
everything. Sean did not want the fraternity
to be plagued with the reputation of allowing
homosexuals into the brotherhood of the chapter.
Like so many young gay people, Sean became
another number and statistic. Why did he have
to die? |
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the time I graduated from high school, I knew
I was gay. I was terrified! How could a God-fearing,
Assembly of God church boy from Oklahoma possibly
fall into the devil's hands? The homosexual
lifestyle was against the Bible's teachings.
As Pentecostal holy rollers, we were taught
that this lifestyle was not to be accepted.
How could a man possibly love another man?
I was always taught as a kid that I would
spend eternity in hell for living and accepting
the homosexual lifestyle. "Homosexuals choose
to live this way. They are living a lie, and
they will perish in the fires of hell with
all the other Sodoms and Gomorrahs," said
the local pastor. As I struggled for acceptance
of who I was, it was an excerpt from his preaching
that forever would be ingrained into my memory. |
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Download
a copy of Robert L.
York Jr. story "My Fraternity Closet" from
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Out on Fraternity Row: Personal Accounts |
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of Being Gay in a College Fraternity. |
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TIP
#4: Cyclical Organization |
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A way to effectively tie your story together is
to create a sandwich. Cyclical organization brings
a reader full circle by presenting an idea, an experience,
a remark and then sandwiching the idea, experience,
remark at the end of the story. It also helps to
get across your message, the reason for telling
your story. An example of cyclical organization
can be found in L.E. Wilson's story "In Flux" from
Out on Fraternity Row: Personal Accounts of Being
Gay in a College Fraternity. Download now. |
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TIP
#5: Descriptive Scenarios |
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Think like a writer. Observation is a key task of
any quality writer. Your story, the people, the
scene must come alive on the page. When writing,
think about the little things like facial expressions,
gestures, body language and clothing style; listen
for voice inflections. All of these details brings
writing to life and takes your story to another
level. An example of this is in L.E. Wilson's story
"In Flux" from Out on Fraternity Row: Personal
Accounts of Being Gay in a College Fraternity,
as follows: |
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When
he was drunk, Derek used to kiss me on the
cheek, just there. And Ray had eyes like silky
blue opals and a smile to melt a virgin's
vow. Reeve was tall, dark, deep voiced, the
descendent of deposed European royalty, and
he smoked a huge meerschaum pipe like Sherlock
Holmes. And Gerry and I ran together, talked
together until 3 a.m. of love and loss and
family and our shadowy hopes for our changeable
futures. |
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Download
a
copy of "In Flux" by L.E. Wilson |
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from the book Out on Fraternity Row: Personal
Accounts |
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of Being Gay in a College Fraternity. |
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TIP
#6: Active Voice |
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Your story should reflect an active voice for your
characters. You want the story to be non-fiction,
real; however, that does not mean it has to be static.
We encourage all writers to incorporate active voice
and quotes into their story-telling. Such a practice
keeps the story from becoming monotonous and dry.
An example of this is in Patricio's story "Then
there was Ben..." from the Lambda 10 Project, as follows:
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I
turned to thank him for walking me home. |
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| "Well
thank you for your interest in my well being
and our educational process" I smiled at him
and looked down at the carpet. |
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| "Well
the interest isn't really about the education."
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| "Yeah?"
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| He
had this deep voice that could make Marvin
Gay sound soprano. I am very naive when it
comes to people hitting on me. You could be
buck-naked in my room and I would think nothing
of it. |
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| "Yeah,
can I call you tomorrow?" |
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| "Sure
you have my number" |
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| "Oh"
with a disappointed look |
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| "Well
goodnight." holding out my hand. |
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| Out
of nowhere three little voices piped in: |
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| "His
number is 555-1727 Ext. 902. Hey! Are you
guys going to kiss?" |
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View
the
story "Then There was Ben..." |
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on the Lambda 10 Project.
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Getting
Started.... |
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Interview Yourself |
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Pretend
you're the interviewer... |
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Make
up some questions to ask yourself... |
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Keep
in mind your audience |
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Tell
them your story.... |
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Use your responses to start writing! |
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:Sample
Questions |
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These
are just a few of many questions. You should develop
questions that reflect your experience, your purpose,
your message. |
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1.
What were your primary reasons for deciding
to join a fraternity? Did you rush openly
gay? |
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2. Looking back, what were the most
important and lasting benefits you actually
received from your fraternity experience?
In what ways did your sexual orientation add
to your fraternity experience? |
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What was your process of "coming out" to yourself
and others? What were the experiences of being
"closeted"? Did you have any sexual experiences
with other fraternity men? Were you a hazed
in a homophobic manner? Did you have negative
thoughts of suicide, depression and abuse
alcohol as a way to stifle your emotions? |
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Did you encounter any homophobic or heterosexist
attitudes and behavior within your fraternity?
Please explain. If the fraternity was supportive,
then talk about the reasons why your brotherhood
might feel this way. |
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If you were an advisor/consultant of a fraternity,
what were your experiences working with brothers
who were gay or bisexual? How did homophobia
impact the brotherhood? |
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If you were a straight brother, what did it
feel like having a brother tell you he was
gay? How did you react? In what ways were
you supportive or not supportive? Talk about
your feelings with having a gay or bisexual
brother in the chapter and how that impacted
the brotherhood. |
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Friendly
Reminder |
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Remember
to give some thought to the format of the story.
How are you going to tell it? Some people choose
a simple narrative form, others a more chronological
diary format, or even possibly a story in the form
of a letter. Remember to be honest and tell what
comes from the heart. |
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Online
Writing Articles |
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Overcoming
writer's block: five writing exercises,
click here. |
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Non-fiction
writing,
click here. |
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Writing
short stories that work,
click here. |
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Writing
narrative personal essays,
click here. |
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How to submit a short story manuscript to an editor,
click here. |
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